Posts Tagged ‘Film’

Film Technology in Post Production

Products DescriptionPrevious books on film laboratories have described the laboratory and technical center of the film industry. In the modern world of shooting Betacam, telecine transfer, NLE and Cassette Dubs, this is no longer true, and the laboratory is just one of several providers of technical services. As the number of alternative paths can be followed by a film production has increased, so that the filmmakers needed a better understanding of the technical requirements of the various functions to make informed decisions at every stage of the process. Film Technology in Post Production will meet this need. The book focuses on frequently asked questions, and lead in these areas means that most of the problems, if misunderstood. Pass from a simple overview of the photographic process is to identify alternative means of film production and post production, and describes the role of the laboratory at every step of every procedure. Particular attention is paid to the often confusing requirements for production in the Super 16 and the blow-up to 35mm, the intricacies of the refusal of the court for a party NLE and the process of classification and reclassification of the paid answer print. Dominic is a film that is where technical adviser, a respected world expert on the topic of IT services for the film. He lectures widely, and was formerly the author of the Motion Picture Film Processing (also in the number of manual means) This book will replace the book and the film and includes all laboratory services providersin simple techniques, step by step formatreplaces The Media Guide film and in the laboratory

Film Technology in Post Production

DZBIS-Phoenix 112CII Autofocus Digital Flash for Canon Digital Rebel XT, XTi, EOS 20D, 30D, 5D and Film SLR Cameras

• Electronically compatible with Canon EOS Digital & Film SLR Cameras — Canon TTL and E-TTL dedication
• Perfect for telephoto zoom lenses — provides better quality and much greater flash distance range than the camera’s tiny built-in flash
• Higher flash-to-lens mounting position greatly helps to reduce “red-eye” in your people pictures
• Powerful Infrared AF Assistance Beam enhances and extends the camera’s autofocusing capabilities in low light
• Flash Head bounces 0-95 degrees and swivels 0-330 degrees for softer lighting and more professional looking portraits

Larger size and height of DescriptionWith built in flash is usually effective only about 13 meters, and that is when the lens at its widest angle, the zoom setting. If you want to impose on the action, you need to see built in flash does exactly opposite of what you want. Its range is limited around 10 meters, and sometimes even less! It is even more annoying when a 70-300mm telephoto zoom lens has. What is the meaning of the increase in the capacity of 300 mm, but the camera flash is only effective up to about 10 meters? If you use your telephoto zoom capability inside, requiring the internal flash – that the photos are dark, or worse, not at all! Compared with built-in flash, zoom head DZBIS Phoenix 112CII (in the tele-) position, you can order up to 3 times further improved color, more natural light and intensify the power of pure imágenes.Además offers the Phoenix flash, nice photos. Reduces or even eliminates the annoying red-eye effect. Even if the red-eye reduction feature (using the camera because the flash is too close) to the lens, the flash is in the retina of the subject directly to the lens and often thought about it, results in images, “Red Eye. The advantage of Height of the Phoenix 112CII Flash DZBIS reduces or eliminates this “red eye” effect. If her blue eyes are still issues “red eye”, which are completely nullified by the bounce / swivel feature of the flash head to “bounce” in the light color on the ceiling or wall-neutral for professional portraits future. Specifications: Guide No. (ISO 100/Tele): 112ft at 50mm (ISO 100); Auto TTL range: 3-56ft; AF Illuminator Range: 3-26ft ; dedication: Canon TTL / E-TTL / E-TTL II 4x purposes available AA alkaline or NiMH batteries.

DZBIS-Phoenix 112CII Autofocus Digital Flash for Canon Digital Rebel XT, XTi, EOS 20D, 30D, 5D and Film SLR Cameras

CineBags CB-01 Production Bag – for Film Production Gear

• PICK HIT Award NAB 2003
• 4 removable pouches
• Heavy Duty Buckle
• Large shoulder strap
• reflective material

DescriptionCinebags produce bag / Camera Bag CB-01-01.CB PRODUCTION II bag features: * 4 * Removable pocket pen pockets * 4 see through mesh pockets w / zipper * Reflective material * Reinforced bottom and flap * Protective bottom feet * The filling all parties * Waterproof material * Bag * Large Carpeted Interior for paperwork * Internal removable for cleaning a full year warranty * Large shoulder strap Size: 25 “x 13″ x 10 5 “External Height: 18″ x 11 “x 9″ fits within the one-stop solution for your camcorder: The CB-01 Production Camera Case for Canon GL-1 Canon GL-2 JVC HD-10U Panasonic DVC – 80 Panasonic DVX-100 Panasonic DVX-100A Sony DCR-VX2001 Sony DCR-VX2100 Sony DSR-PD150 Sony DSR-PD170 Sony HDR-FZ1 Sony HVR-Z1

CineBags CB-01 Production Bag – for Film Production Gear

Digital Compositing for Film and Video, Second Edition

• ISBN13: 9780240807607
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.

Description Digital Product Composition for Film and Video is a practical, how-to guide, to confront the problems and difficult decisions made by professional composers in real situations. This book offers tips, tricks and techniques for dealing with badly shot elements, color artifacts that do not match and demonize an illumination, the composers. Included in this book is thorough, practical methods for the extraction of blue screen matte despill operations, the operations of composition and color correction, the “meat and potatoes” of all digital effects. Written in a style completely independent of software, is fully applicable to any brand of compositing software. The second edition contains many important additions: * in color with over 400 color photos and illustrations * companion DVD with printed 3rd 7 gigabytes to get test patterns, including hard to hidef video and film scans * new chapter on working with HiDef video * new chapter on digital media, add film finishing process of today * more Adobe Photoshop blend modes * methods and new material shows the mixture of compounds, light wrap, slot gags, and how to defeat against the gang problems.

Digital Compositing for Film and Video, Second Edition

In My Life DVD – Preserve Your Family History on Video, Learn to Use a Camcorder, Edit Video, Transfer 8mm Film to Video and Much, Much More.

• preserve your family history to video with the In My Life Interview
• advice when purchasing a camcorder
• In My Life DVD
• basic & advanced camcorder operation
• transfer 8mm film to video

Product DescriptionIt has been said that a picture is worth a thousand words. When it comes to the stories of your loved ones, a moving picture is priceless. The IN My LIFE program not only guides you through the process of interviewing your loved ones, but also shows how easy and fun it can be to create video memories that are as enjoyable to watch as they are to create.

The In My Life Interview is the best way to preserve your familys history in the most personal way with a video record of the story from a distinct point of view – YOURS. You can now pass down first-hand accounts of your life for all your future generations. You owe it to your family to record your memories for later generations in the most personal way. A journal is a nice way to communicate about your life to the generations that will follow. However, paper doesn’t move, laugh, cry, or look into your eyes. This is not just a great gift to your grandchildren as well as their grandchildren, this is your legacy. Long after you are gone, your family will still be able to enjoy the memories you hold most dear.

In My Life DVD – Preserve Your Family History on Video, Learn to Use a Camcorder, Edit Video, Transfer 8mm Film to Video and Much, Much More.

2 Inch LCD Screen Protector w/ cleaning cloth – Digital Camera Display Protection Film Singel Pack. Universal fits Canon, Creative, Casio, Nikon, Samsung, Sony, Panasonic, Olympus, Camcorder, Digital Camera, DV, Video Recorder.

• Perfect size in 2 inch; Size: Width 40mm x Height 30mm
• Comes with a remove-assisting tape & English manual on package.
• Detachable.
• PET Material sticks tight!
• Protect the LCD from scratches and dirt.

Product DescriptionDesigned perfect fitment with 2 inch display of a digital camera & DV camera.
Protect the display from scratches and dirt.
Imported product of Japan

2 Inch LCD Screen Protector w/ cleaning cloth – Digital Camera Display Protection Film Singel Pack. Universal fits Canon, Creative, Casio, Nikon, Samsung, Sony, Panasonic, Olympus, Camcorder, Digital Camera, DV, Video Recorder.

Nonlinear: A Guide to Electronic Film and Video Editing

Nonlinear: A Guide to Electronic Film and Video Editing

Digital Nonlinear Editing: New Approaches to Editing Film and Video

Product DescriptionA reference for the new development in post-production for film and video, this book details the procedural, creative and technical fundamentals of editing moving images within an electronic and interactive environment. Readers are taught to understand what nonlinear editing is and how it works. The book also shows how such systems can be used to achieve greater creative flexibility, as well as cost and time savings.

Digital Nonlinear Editing: New Approaches to Editing Film and Video

Ilford Delta Pro 400 Fast Fine Grain Black and White Film, ISO 400, 35mm, 36 Exposures

• ISO 400/27°, FINE GRAIN, BLACK AND WHITE PROFESSIONAL FILM FOR SUPERB PRINT QUALITY

Product DescriptionIlford 400 Delta Professional is a fast, fine grain black and white film, ideal for pictorial and fine art photography. Prints made from 400 Delta Professional film exposed at ISO 400/2 7 have very fine grain and outstanding sharpness. The superb image qualify of 400 Delta Professional means that it is possible to use this film in situations that would usually require a medium speed film. Its ISO 400/27 speed rating, however, allows the use of higher shutter speeds or greater depth of field than with a medium speed film while giving similar qualify results. Additionally, the speed of 400 Delta Professional ensures excellent results in low lighting conditions. Ilford 400 Delta Professional, though, is more than an ISO 400/27 film. Its exposure latitude allows good quality results to be obtained over the exposure range ISO 200/24 to ISO 1600/33.

Ilford Delta Pro 400 Fast Fine Grain Black and White Film, ISO 400, 35mm, 36 Exposures

Photoshop for Digital Production: Essential Techniques for Film, Broadcast and Games

Product DescriptionAdobe Photoshop® is the preferred, industry-standard software for photo manipulation and graphics creation, but using it effectively for projects in production is key. Learning the tools inside and out will help develop the knowledge, efficiency and workflow for creating your next masterpiece or for your project’s success. This DVD unfolds the myriad of tools and production techniques for compositing, color correcting, masking, digital painting, photo-collage and design. This DVD contains an overview of the most commonly used tools in production, and then applies them with added techniques to real-world projects. The DVD also addresses program management issues that are essential for today’s “generalist” or 2D/3D production artist.

Photoshop for Digital Production: Essential Techniques for Film, Broadcast and Games